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  • Artist:

    Yasumasa Morimura

  • Title:

    Los Nuevos Caprichos

Specifications:

  • Size:

    [Portfolio Box]
    Prints size: 11 x 14"

    [Single Print]
    Small: 11 x 14"
    Large: 30 x 44"

  • Edition:

    [Portfolio Box]
    Set of 12 small prints
    Edition: 1~10/25

    [Single Print]
    ● Small: Selection of 12 images. Edition 11 ~ 25/ 25

    ● Large: Selection of 1 image. Edition of 10


    ※About 11 x 14" Small Prints
    ● Edition 1~10 / 25 for sale as portfolios, set of 12 prints.
    ● Edition 11~25 / 25 for sale as single prints with a selection of 12 images.

  • Price:

    Please ask for details.

Thumbnails:

"Los Nuevos Caprichos" is Yasumasa Morimura's homage to Francisco de Goya's (1746-1828) series "Los Caprichos". It was during Goya's mature period in 1799 when the series was published. As the title "Caprichos (Whims)" hints, the satirical series was filled with dark humor and poignant sarcasm, proving that Goya had a different side to him, full of free-spirited imagination and vigorous allegories, other than his role as an official court painter.

 

Morimura's new (nuevos) version of the series is his own interpretation to Goya's, that mirrors the current social situation. While Goya's original version was criticizing different issues in a male-dominated, close-minded society, the focus in gender roles have completely switched in Morimura's case - In one image, Morimura transforms himself into a beautiful lady who turns her back against a man who is trying to approach her. With a cellphone in her hand she says, "'One Way Ticket' (to love) is Out of Fashion"; In another image, women sweep little ugly beings away with their brooms saying, "Gentlemen, Your Turn is Over." These reflections of the contemporary world come along with each print as a satirical title in manuscript, similar to Goya's series.

 

Morimura also spent a lot of thoughts and consideration with the printing technique for this homage. Just as how Goya selected the best aquatint and etching techniques during the period, Morimura chose amanasalto's platinum printing technique to realize his images in a similar texture with Goya's "works on paper". Platinum printing technique dates back to the 19th century and is still considered as the top among all techniques, with beautiful tone variations and reproducibility. Combined with amanasalto's unique technology in the exposing process, the technique served as an time-transcending intermediary between Goya's and Morimura's works.

 

Retrato de un satírico con un cubo puesto
Increíble cómo empieza a parecer verdad cuando lo repiten una y otra vez
En este mundo se hace la mascarada a cualquier hora en cualquier lugar
"Billete de ida" está ya pasada de moda
Piernas hermosas cuestan mucho
Caballeros, parece que vuestro turno se ha acabado
Dicen que esto está de moda ahora
Yo vuelo, el que os usen como felpudo es culpa vuestra
¿De dónde venimos?, ¿ Quiénes somos?, ¿ A dónde vamos?
Tres mujeres, tres aspectos
El drama continúa, y aún no ha caído el telón del teatro Globo
Destinado a esperar la muerte de alguien
Large size_Retrato de un satírico con un cubo puesto